![]() I love film music and pop music and singer-songwriter music I love it all. It’s a broad question, but I’ll answer it like this. What inspires your music and songwriting? We’re going to record a bunch of songs and we’re going to film a bunch of songs at the end of the day as well,” and it’s just it was one of those bucket list projects for me where I’ve always wanted to do something like this and I was so excited to finally be able to make it happen. I just called my orchestra contractor and said, “Hey man, book me the biggest orchestra you can fit into this studio called Oceanway in downtown Nashville, and we’re going to do a whole day in the studio. So, as “I Hear A Symphony” was blowing up, I thought ‘oh man this is super cool.’ I wanted to deliver more music like this to these new fans and so that’s how I came up with The Symphony Sessions. However, the success through TikTok kind of proved that wrong and it was so exciting to me because this is kind of the music that I had always wanted to do, but just shoved it as the last couple of tracks on my albums and tried to figure out ways to do it without sacrificing the more commercially viable songs, or so I thought. Well with the success of my song “I Hear A Symphony” on TikTok, which, as the name would suggest, has a lot of orchestral elements, it really gave me the confidence to pursue this type of music that I’ve been wanting to do for a long time but didn’t think it could be commercially successful. How did the Symphony sessions come about? Photo Courtesy of Samuel Cowden, IV StudioĬody Fry chatted with Digital Journal’s Markos Papadatos about his new album “The Symphony Sessions” and being an artist in the digital age. Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. ^ "The CASH BOX Year-End Charts: 1966".^ "The CASH BOX Top 50 In R&B Locations".^ "The Supremes Chart History (Hot R&B/Hip-Hop Songs)".^ "The Supremes Chart History (Hot 100)".^ "flavour of new zealand - search lever".^ " Nederlandse Top 40 – Supremes The" (in Dutch).^ " Top RPM Singles: Issue 5581." RPM.^ "Every Unique AMR Top 100 Single of the 1965".^ Guest co-host: Zsa Zsa Gabor (3 November 1965).^ Diana Ross interviewed on the Pop Chronicles (1969).Background vocals by Florence Ballard and Mary Wilson. ![]() After the number-five hit " My World Is Empty Without You" and the number-nine hit " Love Is Like an Itching in My Heart," the Supremes began a run of four more number-one hits: " You Can't Hurry Love," " You Keep Me Hangin' On," " Love Is Here and Now You're Gone," and " The Happening." The group performed the hit song on The Mike Douglas Show on November 3, 1965. "I Hear a Symphony", later issued on an album of the same name, became the Supremes' sixth number-one hit in the United States. ![]() īillboard called the song a "blockbuster" as well as a "well-written rhythm ballad with pulsating beat and top vocal work." Cash Box described it as a "rhythmic, medium-paced romancer about a lucky gal who’s head-over-heels in love with the special guy of her dreams." In a 1968 interview, Diana Ross said that this was one of her favorite songs to perform, even though its key register posed some challenges. "Symphony" was released as a single in place of another Holland-Dozier-Holland Supremes song, " Mother Dear", which had been recorded in the same style as their earlier hits. The result was "I Hear a Symphony," a song with a more complex musical structure than previous Supremes releases. Holland-Dozier-Holland therefore set about breaking their formula and trying something new. We will release nothing less than Top Ten product on any artist and because the Supremes' world-wide acceptance is greater than the other artists, on them we will only release number-one records. In mid-1965, the producers came to realize they had fallen into a rut when the Supremes' " Nothing but Heartaches" failed to make it to the Top Ten, missing it by just one position and breaking the string of number-one Supremes hits initiated with " Where Did Our Love Go." Motown chief Berry Gordy was displeased with the performance of "Nothing but Heartaches," and circulated a memo around the Motown offices that read as follows: The Supremes enjoyed a run of hits through 19 under the guidance of writer/producers Holland–Dozier–Holland.
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